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PRELUDE PROJECTS INTRODUCES EMERGING VISUAL + PERFORMING ARTISTS ENTERING THE CONTEMPORARY CONVERSATION.

Prelude Projects exists for the sparks catalyzed in collaborative projects between various realms of the arts. As a platform, Prelude Projects facilitates new and necessary ideas in the form of commissioned works, performance series and artist residencies in order to further the conversations of visual, applied arts and performing art disciplines.

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If you align with the pursuits of the collaborations that Prelude Projects introduces, fosters and funds, please assist in making its 2020 - 2021 programming possible.

Prelude Projects’ programming is sponsored by Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purposes of Prelude Projects must be made payable to “Fractured Atlas” only and are tax-deductible to the extent permitted by law.


PRELUDE PROJECTS AT CARVALHO PARK

112 WATERBURY ST. BROOKLYN, NEW YORK 11206

J@PRELUDEPROJECTS.COM

 

FOUNDER + DIRECTOR :: JENNIFER CARVALHO

Carvalho’s aesthetic education began at the School of American Ballet in New York, where she trained in a strict discipline of line and form, in a concentrated, cross-pollinated environment of works, values and ideas, by prominent post-war and contemporary artists and contributors.

Once transitioning from the performing to visual arts, she worked at the Whitney Museum of American Art, MoMA PS1, and Christie’s before founding an artist space in Amsterdam, that she ran for three years. In 2017, Carvalho founded Prelude Projects + The Prelude Projects Fund in New York, believing in the place and rejuvenative impact that cross-disciplinary work can and should have. In 2019, she partnered with architect|sculptor Se Yoon Park to open a new gallery, Carvalho Park in Brooklyn.

Carvalho holds a Masters in Modern and Contemporary Art from Christie's. She has served on the Young Patrons fundraising auxiliary boards of the Fine Arts Museums of San Francisco (de Young Museum + the Legion of Honor) and the Museum of Art and Design (MAD) in New York.

Her singular point-of-view when producing special projects is informed by the aesthetics and atmosphere of her classical foundation. Through Prelude Projects, Carvalho endeavors to fund new works and collaborations between visual and performing artists that reconsider distinctions between their disciplines and signal where these art forms can go together.